Sunday, August 10, 2008

Review: Metal Masters Tour, Aug. 9th, PNC Arena, Holmdel, NJ


On August 9th, 2008, in what is inarguably one of the worst sounding arenas on the east coast, I had the privilege to witness the Metal Masters Tour.

The Crowd

The happiest bunch of regular, hard working people I’ve seen in a long, long time. Beer, beer and more beer flowed. Many horns were raised. Even security and concession stand workers were in high spirits. Fathers and sons banged heads together in a Super bowl of metal. It was a beautiful thing, kind of like listening to a tag-team lecture on Metal given by a group of venerable professors.

Testament

What can I say about one of the original thrash bands, besides the fact that Alex Skolnick fucking kicked ass? Unfortunately, the acoustics at PNC Arena render thrash into an unholy disaster, so I had a hard time picking out what Testament was playing. But there was no mistaking when they launched into New World Order and Practice What You Preach; the crowd went nuts. On the whole, and despite the poor sound, their set was legendary, but short. With three major acts to follow, I wasn’t surprised.

It was great to see Chuck Billy up there as well. Not many people survive cancer to do what he does. More power to him.

Motorhead

Surprisingly long set, delivered with Lemmy-esque aplomb. Does it really mater what songs they play? They’re Motorhead, and as long as Lemmy is craning his head back to hit those scratchy notes, everything is good. Godamn, was it fun! Motorhead is like seeing your favorite bar band play Motorhead, except that, well, they really are Motorhead. Plus, the head sound guy must have woken up, because they sounded incredible. They guy next to me remarked that they sounded just as good as they did in 1980 at L’Amours in Brooklyn. And he wasn’t even that drunk yet.

Heaven and Hell

Circles and rings, dragons and kings, and a really short, sixty six year old guy that still belts it out better than any metal vocalist alive. In addition to the the fact that he is super, super appreciative of the people who come to see him, RJD is still the master orator. Emit whatever sacrilege you want about ‘Sabbath: The Dio Years’; hearing Heaven and Hell open with the Mob Rules is highlight number one of the fucking century.

Song two, Children of the Sea; the first power chord, and the place goes completely insane in a collective Proustian moment of joy. I could sense the memories in the air of that first joint smoked while listening to Heaven and Hell for the first time back in 1980.

Interestingly enough, Heaven and Hell is the same Sabbath lineup I saw during the Mob Rules tour in 1982. All things eventually come full circle. I could have listened to these guys for five or six hours; it wouldn’t have been enough.

Judas Priest

Priest opened with Nostradamus, and I was immediately terrified that they would offer an entire rendition of their disastrous new album. My fears were assuaged when they launched into Metal Gods. Clad in a hilarious, glistening, full-length metal coat, and crouching over his mic, a bearded Halford sounded just as incredible and searing as he did on the Screaming for Vengeance tour. Tipton and Downing . . . still unbelievable. All solos played note-for-note from the original.

The problem with seeing Priest is that the catalogue is just too massive. You can hear Devil’s Child, but be upset that there’s no Desert Plains. You can hear Hell Bent for Leather, but yearn for Solar Angels. I suppose it’s a good problem to have. And I was not entirely surprised that there was nothing from Sad Wings of Destiny. There are just not enough hours in the evening. I would have loved a nice, long Victim of Changes, though.

Highlight of the set: Dissident Aggressor.

One of the best parts of Priest’s show was when Ian Hill came up to the crowd to exchange hand-slaps and shoulder nudges with the audience. It’s obvious that even the reserved Mr. Hill has attained the status of legend. Very heart-warming.

Highlight

About halfway through Priest’s set, I turned around and saw Alex Skolnick standing behind me in the general population. He was MOBBED by admirers and enjoying every minute of it. Good for him.

Thursday, August 7, 2008

Late Heavy Metal in Baghdad Review


Everyone else has reviewed it, so I might as well. Heavy Metal in Baghdad, produced and directed by Eddy Moretti and Suroosh Alvi and presented by VBS.TV’s Vice Films, is an extremely vital document for everyone to see – not just metal fans. If you ever took your freedom of cultural expression for granted, you won’t after seeing this film.

H.M.I.B. features the Iraqi metal band Acrassicauda (Latin for ‘black scorpion’) in war-torn Baghdad from the fall of Saddam Hussein in 2003 to the present day. Playing metal in muslim countries has always been difficult, but with fall of Hussein, Acrassicauda had a brief moment in which freedom of expression seemed possible. Those hopes were dashed when Iraq collapsed into bloody insurgency and the streets around them devolved into chaos. The band fought to stay alive, eventually fleeing to Syria and then Istanbul, where they now struggle to maintain a meager existence.

For a person like me, who thinks nothing of walking into a church or shopping mall with a Slayer shirt on, this film was a true eye-opener. How often have I taken my own freedoms for granted? How often have I lost sight of the freedom of expression that I mindlessly exercise in my own culture, with no thought to the responsibility that entails? I can’t help asking myself these questions while I witness the sheer balls with which the members of Acrassicauda lead their lives. Everything has a price, and Acrassicauda is paying it.

One of the most powerful aspects of H.M.I.B. is its honest, street-level portrayal of life in present-day war-torn Iraq. The absence of sanitization and mainstream media vetting is truly energizing. Moretti and Alvi really dig down into the personalized aspects of war and do so without becoming ham-fisted or overly sentimental. Aditionally, the sheer D.I.Y. courage of H.M.I.B.’s entire production team cannot be lauded enough, which ads further testament to their achievement. Who else but true metal fans would literally con their way into a war-zone to tell such a story? If anybody is living the metal ethos, it’s Acrissicauda and the H.M.I.B team.

Acrassicauda's MySpace page: http://www.myspace.com/wwwacrassicaudas5com

Film Website: www.heavymetalinbaghdad.com